Born in Granada, Marina Heredia has been singing since childhood. At thirteen years old  she had her first recording experience with Malgré la nuit, a flamenco album for children.  She could then be heard singing in Granada tablaos accompanying dancers and guitarists,  until she replaced Carmen Linares in a María Pagés show at the Granada Festival.  

Marina Heredia collaborates with renowned flamenco artists such as Arcángel and Eva  Yerbabuena, as well as on other artistic projects, such as the opera De amore by Mauricio  Sotelo, which premiered in the prestigious Carl Orff auditorium in Munich and Madrid’s  Teatro de la Zarzuela. Since then, her ascending career has taken her to some of the most  important music halls worldwide such as Teatro de la Maestranza in Seville, Teatro Albéniz  and Auditorio Nacional in Madrid, Gran Teatro in Cordoba, Palau de la M ́ usica in Valencia, ́ Carnegie Hall in New York, Palais de la Musique in Strasbourg, or Crystal Palace in Porto.  

Marina Heredia is the most internationally requested artists to perform El Amor Brujo by  Manuel de Falla. She has worked, among others, with the San Francisco and Chicago  Symphony Orchestras, both under Spanish conductor Pablo Heras-Casado, who was also  on the podium on her appearance with St. Luke’s Orchestra in the Carnegie Hall of New  York, where she got long standing ovation; the Orchestre National de Lille with Josep  Vicent; Orquesta Ciudad de Granada under Domingo Hindoyan, the same orchestra at the  Musika-Música Festival in Bilbao under Antoni Ros Marbà, who also conducted her with  the Orquesta Sinfónica de Castilla y León, etc. Marina premiered the new staging of El Amor  Brujo by La Fura dels Baus at the closing concert of the 64th Granada Festival, under  Manuel Hernández-Silva.  

She has performed in the most prestigious festivals of Spain, including Festival Grec in  Barcelona, Bienal de Flamenco in Seville, Festival del Cante de las Minas, Festival de Otoño  in Madrid, as well as Jerez, Ronda and Granada Festivals, among others, but also in  international stages such as De Singel in Antwerp or Festival Flamenco Nîmes. She has  traveled from Beijing to Uruguay, Paris, Portugal, Munich, London, Morocco, New York,  and Washington.  

In 2004 she was awarded the prize Andalucía Joven a las Artes (Andalusia Youth for the  Arts) for her contribution to the spreading of Andalusian flamenco throughout the world.  With two published works (Me duele, me duele in 2001 and La voz del agua in 2007), she  released Marina in 2010, a flamenco album with new classic songs, which received in 2011  the award of Best Album of Cante Flamenco. In September 2012 she premiered A mi  Tempo at the Teatro de la Maestranza during the XVII Bienal de Flamenco de Sevilla. Her  latest album, Capricho, was released in 2021. 

Marina Heredia has obtained great success and critical acclaim with many of her shows,  such as Contra las cuerdas or Tempo de Luz with Carmen Linares and Arcángel, which  toured in Europe and the United States.

Recent engagements have included performances at the Auditorio de Santander with the  Orquesta del ADDA Alicante and the Opera de Rouen, as well as the Teatro Real and the  Festival de Úbeda, and an extensive tour with the Sinfónica de Galicia. In 2022, Marina  presented new shows that earned her critical acclaim, such as ArteSonao at the  International Festival of Music and Dance in Granada and Status Quo at the Flamenco  Biennial in Seville. She also performed at the Konzerthaus and Philharmonie in Berlin with  the Berlin Radio Orchestra and Heras-Casado, at the Casa da Música in Porto with Stephan  Blunier, at the Laieszhalle Festival of the Elbphilharmonie in Hamburg at the invitation of  Martha Argerich, at the Pierre Boulez Saal in Berlin with the Israeli mandolinist Avi Avital and  at the Lausitz Festival, also in Germany. Later, she was a guest of the Sinfónica de Navarra  and the Orquesta de RTVE, and was artist-in-residence at the Duisburger Philharmoniker,  where she gave four performances: one for the premiere of En Libertad, a new work  commissioned by the German orchestra from Joan Albert Amargós and José Quevedo,  ‘Bolita’, conducted by Josep Pons, which she later premiered in Spain with the Sinfónica  de Galicia. More recently, she has performed with the Orquesta Sinfónica de la Región de  Murcia and made her debut with the Philharmonic Orchestra of the Republic of North  Macedonia.